![]() And Hodgson, always the inventor, is the “creative lead for media” with a company called Cannae that develops satellite technology. Conniff has his podcast, “Podhouse 90.” Beaulieu will release a comedy music video called “Do the Frank” on DVD before the holidays. Pehl is working on a crowd-funded musical project. Weinstein will premiere a documentary on musician and actor Michael Des Barres in 2014. “We’ve been going out a couple of times a month for the last six years, and we’re just kind of winding that down,” says Hodgson.Įveryone has outside projects. (At the Wilbur, they’ll be riffing on “The Doll Squad,” a 1973 film about an all-female espionage team.) It’s a lot of work, and it can be tough to coordinate the schedules of five busy individuals to keep Cinematic Titanic going. It takes Cinematic Titanic roughly a month to write the riffs for one movie, with a few movies in rotation for any tour. “I get the feeling it might hang at 600.” “It’s less because you have room for people reacting,” he says. At live performances, that number decreases, but it’s still impressive. “It just becomes a blur at a certain point, you know? And what became clear was, no, absolutely, they want you to talk the entire time there’s not any dialogue.”Īt its peak, “MST3K” would average upward of 700 comments per movie, according to Hodgson. ![]() “It’ll just be like Eddie Van Halen playing a guitar solo,” he says. Hodgson was worried about sensory overload for viewers trying to follow the movie and the wisecracks at the same time. It wasn’t until the group cut together a demo reel of its best riffs for The Comedy Channel (which later became Comedy Central) that Hodgson realized they could talk more. That’s a long way from the KTMA days, when “MST3K” confounded some people who tuned in expecting to see a movie minus the commentary. Hodgson mentions other groups who do live movie riffing around the continent, including Master Pancake Theater in Austin, Cineprov in Atlanta, and the Gentlemen Hecklers in Vancouver. Movie riffing has spread as a comedic form since the days of “MST3K.” In 2006, Mike Nelson, who took over hosting duties when Hodgson left “MST3K,” and Kevin Murphy and Bill Corbett, who at one point voiced Servo and Crow, respectively, formed RiffTrax. “I don’t think you could have done it the other way, just talking over a movie.” “I think ‘Mystery Science Theater’ kind of had to be there,” he says. So we’re being who we are.” Still, Hodgson says it wouldn’t have worked without “MST3K” establishing movie riffing in the first place. “It’s really like a concert,” Hodgson says. You can access more than 15,000 crosswords and sudoku and solve. In a live format, the troupe members found they didn’t need to explain why they were making fun of the movies - a practice they call “riffing.” They could just treat it like a stand-up show. Time on your hands Stay connected and keep in touch with your friends with our new Puzzles mobile app. Cinematic Titanic started as a straight-to-DVD studio project, but soon found its legs by filming live shows for video release. Elvis Weinstein, Mary Jo Pehl, and Frank Conniff in 2007, he thought they’d have to invent a similar back story to make the project work. When Hodgson got together with his former “MST3K” cohorts Trace Beaulieu, J.
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